Saturday, December 20, 2008

John Bruce Stump Speech #3: Born to Run

In '70's New Jersey, the car was still a powerful image. All the redemption I can offer is beneath this dirty hood with a chance to make it. That somehow resolutions and failed inspections would make this world a more peaceful place. He was hoping we'd turn away. But now I was appreciating their craft and power.

I walked into a Tenth Avenue freeze without Saddam Hussein. At first I thought it was the name of a movie or something I'd seen on a car spinning around the Circuit, but I couldn't be certain. And the world is busting at its seams and you're just a prisoner of your American dream. And if we did that, we'd have more consumption ability in America, which is what we need right now in order to kick our economy into gear. I liked the phrase because it suggested a cinematic drama I thought would work with the music I was hearing in my head. At night sometimes it seemed you could hear the whole damn city crying. Blame it on the lies that were killed by a roadside bomb in Iraq.

And here's what she wrote to you, "That gave me an opportunity to feel out the arrangement. Baby, this town rips the bones from your back, it's a death trap, a suicide." Some 27 percent have tried, and they try because they come back to this country and they have to face what they did in Vietnam, and then they come back and find the indifference of a country that doesn't really care, that doesn't really care. Born to Run was released in a post-Vietnam America. And tonight you'll try just one more time to leave it all behind and break. We fought using weapons against "oriental human beings" with quotation marks around that. We fought using weapons against those people which I do not believe this country would dream of using.

Were we fighting in the European theater? People were contemplating a country that was finite, where resources and life had limits. And the word's been passed this would increase the chances of the U.S. being hit by another 9/11-type terrorist attack. Slowly, the dread that I had managed to keep out of Rosalita squeezed its way into the lives of the people. Outside, the street's on fire in a real death waltz between what's flesh and what's fantasy. And the poets down here don't write nothing at all. They just stand back and let it all be. And in the quick of a knife they reach for their moment. But I want to come back to where I began, on homeland security. When the screen door slams on Thunder Road you're not necessarily on the Jersey shore anymore. You could be anywhere in America.

No comments: